(Warning – this post contains images of nudity)
A couple of pieces of public art to welcome the arrival of Summer. This is from the City of London (outside Moorgate Station)
This is advertised as being by Salvador Dali. In fact, it appears to be have been fabricated by a dealer based on a illustration for Alice in Wonderland that Dali had drawn late in life (the Guardian has the story here) – The asking price, should you wish to buy it, is £1.5 million.
Simply as an object – and I pass it every morning on my way to work – I rather like this. If they were selling it for £14.99 in Homebase as a piece of garden furniture I’d be tempted to acquire one.
That Dali was illustrating Alice at all reminds me of what Orwell had to say in his generally uncomplimentary (“he is as antisocial as a flea”) essay “Benefit of Clergy : some notes on Salvador Dali“, in which he wrote of
“… the old-fashioned, over-ornate Edwardian style of drawing to which Dali tends to revert when he is not being Surrealist … Picturesqueness keeps breaking in. Take away the skulls, ants, lobsters, telephones and other paraphernalia, and every now and again you are back in the world of Barrie, Rackham, Dunsany and WHERE THE RAINBOW ENDS … It may be therefore, that Dali’s seemingly perverse cult of Edwardian things … is merely the symptom of a much deeper, less conscious affection. The innumerable, beautifully executed copies of textbook illustrations, solemnly labelled LE ROSSIGNOL, UNE MONTRE and so on, which he scatters all over his margins, may be meant partly as a joke… But perhaps these things are also there because Dali can’t help drawing that kind of thing because it is to that period and that style of drawing that he really belongs.”
This, on the other hand, is from the window of the osteopath near to the County Ground in Northampton that has featured before on this blog –
A skeleton on its way to the beach on a bicycle, dressed in a sort of bright green hooded bathrobe (and note the cricket bat in the lower foreground). A piece of home-grown vernacular surrealism that, I imagine, would set you back a good deal less than £1.5 m.